Three things book cover design points out about books themselves
Three things book cover design points out about books themselves
Blog Article
Keep reading to find a couple of different ideas connecting to the way we see book covers set alongside their history.
When we buy a book it becomes something very personal to us. It can sometimes be strange seeing a book you love with another book cover, merely due to the fact that it is not your book. This personalisation, and undoubtedly ownership, of books was at an entirely various level at the genesis of the era of printing, with book covers being created by the owners themselves, and what they believed would be the best books covers for the text. They would buy the book itself from the printer wrapped in paper, then bring it to a binder who would add in the covers to the customer's specs. This typically implied being clad in leather and after that inscribed with the name of the book, and, typically, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can probably value the ownership that individuals come to feel in regards to their books.
We love checking out books since they are very beautiful things. This holds true, but the nature of beauty that we might be discussing is certainly separate to what we might be discussing if we were talking about, for example, the visual arts. Or is it? For as long as we have had books we have actually embellished them with beautiful book cover designs that attempt to mirror the appeal of what is inside. This goes back for as long as the codex itself has been around, with middle ages monks, those charged with the security and duplication of the scarce texts that could still be discovered, ornamenting each hand written text with remarkably rich and lovely designs. In fact, such was the appeal held within these books that a number of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. Individuals like the co-CEO of the hedge fund that owns Waterstones can probably value the way that the beauty of these book covers was developed to match the beauty within the book.
When you actually consider it, it is rather amazing that a book's cover, no matter how stunning it is, manages to stand so eloquently for something that is practically the total antithesis of its art form-- writing in white and black. In fact, book covers have actually been designed to reflect the vibe of a book and attract its desired audience ever since the dawn of large scale publishing in the Victorian Period. Artists were entrusted with discovering what makes a good book cover for specific individuals, or to put it simply, marketing. People like the CEO of the asset manager that has a stake in Amazon can most likely value the role of marketing in designing book covers.